Play Along Piano

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counterpoint

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)

BSG

7:34	Est. Play Time
106	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	0	5	5	100%
Soprano	18	0	6	6	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	5	5	100%
Soprano	18	6	6	99%
	16	5	5	98%
Alto	12	2	3	36%

J.S. Bach, Well Tempered Clavier Book I, Fugue 8 in D-sharp Minor

sjforman

2:54	Est. Play Time
87	Measures
	2,284Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	0	4	8	99%
	30	0	5	5	46%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	4	8	99%
	30	5	5	46%
Soprano	19	2	7	99%
Alto	26	3	8	50%
Bass	30	5	5	46%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	12	0	3	5	69%
	16	0	3	6	100%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	12	3	5	69%
	16	3	6	100%
	8	1	3	45%
Cello	16	3	5	100%
Violin	22	7	3	94%
	16	3	4	94%
Viola	13	2	5	94%
Alto	8	2	3	45%
Bass	14	1	3	45%
Soprano	7	1	5	45%
Tenor	8	1	3	45%

J. S. Bach: Ich elender Mensch (BWV 48, #1)

BSG

6:54	Est. Play Time
139	Measures
	2,205Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	26	0	9	3	100%
Vc/Cb	26	0	9	3	100%
View all 11 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	26	9	3	100%
Vc/Cb	26	9	3	100%
Viola	21	8	4	92%
Violin 1	27	9	4	92%
Violin 2	19	6	4	92%
Soprano	19	6	6	52%
Tenor	20	7	5	51%
Alto	19	6	6	48%
Bass	18	6	6	47%
C Trumpet	9	1	5	31%
2 Oboi	9	2	5	30%

J.S. Bach: Ich steh’ mit einem Fuß im Grabe (BWV 156, #2)

BSG

7:28	Est. Play Time
113	Measures
	1,717Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	27	0	10	6	99%
Contrabass	27	0	10	6	99%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	27	10	6	99%
Contrabass	27	10	6	99%
Strings	20	7	6	97%
Tenor	18	5	8	73%
Chorale Soprano	9	1	4	32%

J. S. Bach: Siehe zu, daß deine Gottesfürcht nicht Heuchelei sei (BWV 179.1)

BSG

3:56	Est. Play Time
117	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.	21	62	9	5	99%
Continuo	24	0	7	5	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.	21	62	9	5	99%
Continuo	24	0	7	5	98%
Bass	20	0	7	5	91%
Tenor	17	0	6	6	90%
Soprano	17	0	6	5	88%
Alto	17	0	6	5	82%

J.S. Bach: Was Gott tut...er wird mich nicht (BWV 100, #2)

BSG

3:33	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	25	0	8	2	100%
Contrabass	25	0	8	2	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	25	0	8	2	100%
Contrabass	25	0	8	2	100%
Realization	23	57	9	8	99%
Alto	18	0	7	7	83%
Tenor	18	0	6	6	83%

Prelude and Fugue on Tchaikovsky : Hermit of Frolovskoye (chahf) Orchestral Version

penne vodka

4:41	Est. Play Time
94	Measures
	2,285Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	23	22	7	5	97%
Violas	24	23	7	6	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II	23	22	7	5	97%
Violas	24	23	7	6	96%
Violins I	29	8	8	5	81%
Bassoons	29	17	9	4	75%
Violoncellos	20	0	6	6	72%
Oboes	21	18	6	6	68%
Clarinets in B♭	24	23	7	6	63%
Contrabasses	20	0	6	6	60%
Flutes	28	25	9	6	58%
Horns in F	17	16	4	7	33%
	19	17	5	7	48%
Timpani	3	0	0	5	24%
Trumpets in B♭	15	13	2	3	21%

Be Thou My Vision Small Orchestra

Threespot@aol.com

2:33	Est. Play Time
102	Measures
	1,214Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano	20	40	4	6	46%
	15	18	1	5	55%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano	20	40	4	6	46%
	15	18	1	5	55%
Strings, String Ensemble Hard	19	9	1	7	92%
Oboe, Oboe	10	0	0	9	60%
Timpani, Timpani	15	0	2	6	56%
B♭ Clarinet	14	0	1	7	51%
Horn in F	13	0	1	7	51%
Violins, String Ensemble	14	0	0	4	22%
	10	0	0	9	46%
Flute	14	0	0	7	30%
Violoncellos, String Ensemble	18	21	2	4	23%

J.S. Bach: Sinfonia from "Geist und Seele wird verwirret", BWV 35

BSG

7:28	Est. Play Time
132	Measures
	3,176Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	29	0	12	6	100%
Organ LH	29	1	12	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	29	0	12	6	100%
Organ LH	29	1	12	6	100%
Violoncello Contrabasso	29	0	12	6	100%
Violin 1	30	0	12	7	86%
Organo Obbligato	26	0	10	7	86%
Oboe 1	28	0	11	7	85%
Viola	27	0	10	6	85%
Oboe 2	25	0	10	7	83%
Violin 2	30	0	12	7	83%
Taille	25	0	9	6	80%

Diatonic canons on an 8 note theme

boblucassen

4:40	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	0	1	6	12%
	5	0	0	3	12%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	9	1	6	12%
	5	0	3	12%
	17	1	6	34%
	19	3	6	69%
	16	3	6	96%
	9	0	5	98%

Counter Point to Niji To Taiyou no Oka, "A Hill with a Rainbox and Sun".

Threespot@aol.com

4:10	Est. Play Time
119	Measures
	1,628Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet, Clarinet	19	0	7	9	87%
Winds, Bright Flute	33	0	7	13	85%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet, Clarinet	19	7	9	87%
Winds, Bright Flute	33	7	13	85%
Oboe	17	4	9	85%
Viola	22	3	11	83%
Violoncello	18	2	9	82%
Erhu, Fiddle	17	2	8	80%
Contrabass	18	2	9	79%
Piccolo Trumpet	29	16	8	60%
Horn in F	31	17	8	54%
B♭ Clarinet, Clarinet Bright	18	3	9	30%